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The proposed musical included 20 songs, some of which Sebastian performed in concert, but the musical was never produced. White's Charlotte's Web in consultation with his godfather Garth Williams, who illustrated White's original book.
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In the late 1970s and early 1980s, Sebastian himself wrote a stage musical adaptation of E.B. It opened on Broadway in December 1968, with Dustin Hoffman in the title role, and ran until April 1969, for a total of over 150 performances. One of Sebastian's first projects after leaving the Spoonful was composing the music and lyrics for a play with music, Jimmy Shine, written by Murray Schisgal. Solo career 1960s–1970s Broadway musical composer Sebastian left the Lovin' Spoonful in 1968 and did not play with any later versions of the band, except for a brief reunion with the other three original members to appear in Paul Simon's 1980 film One-Trick Pony, and again for a single performance at their Rock and Roll Hall of Fame induction ceremony in 2000. Performing at the Woodstock Reunion 1979 at Parr Meadows in Ridge, New York Yanovsky subsequently left the band and was replaced by Jerry Yester, after which the band's musical style veered away from its previous eclectic blend and became more pop-oriented. Neither Sebastian nor Butler was involved in the matter, both being away from San Francisco at the time. Facing deportation, he revealed the name of his dealer to police, which caused a fan backlash and added to the internal tension already created by the band members' diverging interests. The band, however, began to implode after a 1967 marijuana bust in San Francisco involving Yanovsky, a Canadian citizen.
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The Lovin' Spoonful, which blended folk-rock and pop with elements of blues, country, and jug band music, became part of the American response to the British Invasion, and was noted for such hits as " Do You Believe in Magic", "Jug Band Music", " You Didn't Have to Be So Nice", " Daydream", " Did You Ever Have to Make Up Your Mind?", " Summer in the City", "Rain on the Roof", "Nashville Cats", " Darling Be Home Soon", and "Six O'Clock". Sebastian was joined by Zal Yanovsky, Steve Boone, and Joe Butler in the Spoonful, which was named after "The Coffee Blues," a Mississippi John Hurt song. Bob Dylan invited him to play bass on his Bringing It All Back Home sessions (though Sebastian's parts probably did not appear on the album) and to join Dylan's new electric touring band, but Sebastian declined in order to concentrate on his own project, the Lovin' Spoonful. He played in the Even Dozen Jug Band and in The Mugwumps, which split to form the Lovin' Spoonful and the Mamas & the Papas. He also played on Fred Neil's album Bleecker & MacDougal and Tom Rush's self-titled album in 1965. One of Sebastian's first recording gigs was playing guitar and harmonica for Billy Faier's 1964 album The Beast of Billy Faier. In addition to harmonica, Sebastian played guitar and occasionally autoharp. Sebastian became part of the folk and blues scene that was developing in Greenwich Village, which in part later gave rise to folk rock. Through his father's connections, he met and was influenced by blues musicians Sonny Terry and Lightnin' Hopkins (for whom Sebastian served as "unofficial tour guide and valet" when Hopkins was in New York City). In the early 1960s, Sebastian developed an interest in blues music and in playing harmonica in a blues style, rather than the classical style of his father. He next attended New York University for just over a year, but dropped out as he became more interested in musical pursuits. He graduated from Blair Academy, a private boarding school in Blairstown, New Jersey, in 1962. Sebastian grew up surrounded by music and musicians, including Burl Ives and Woody Guthrie, and hearing such players as Lead Belly and Mississippi John Hurt in his own neighborhood. Eleanor Roosevelt was a neighbor who lived across the hall. His godfather and first babysitter was children's book illustrator Garth Williams, a friend of his father. His godmother was Vivian Vance ("Ethel Mertz" of I Love Lucy), who was a close friend of his mother.
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His father, John Sebastian ( né John Sebastian Pulisi), was a noted classical harmonica player, and his mother, Jane (born Mary Jane Bishir), was a radio script writer. Sebastian was born in New York City and grew up in Italy and Greenwich Village. 9.4 Contributions to "various artists" albums.9.3 Selected Reissues, Compilations, and Archival Live Albums.